Sunday, October 6, 2013
Love Song vs. Winesburg, Ohio
Reality.......some of us love to embrace it while others fear of what it really means. Taking hold of one's reality can be scary; it can be full of unknowns, regrets, and unwanted uncertainty. Our pasts have helped to mold us into the beings that we are today, however, previous actions may not make some as excited to grip reality by the hands as others. The poem "The Love Song of J. Alfred Prufrock", by T.S. Elliot, and the novel Winesburg, Ohio, by Sherwood Anderson, intertwine with one another more than one may think based on the fact that they both shed light on a central theme: reality is the universal fear. Some fear reality to the point where they’re afraid to wake up (allusions of that can be found in T.S. Elliot’s poem) while others simply hide behind their "truth" in life due to the fact that its actual meaning may not be one that they were expecting. Whatever the reason, these pieces of literature help shed light on the idea that one's reality can haunt them if they don’t accept it for what it is and push to move past it.
So these two pieces of literature are obviously similar in there theme, but the way they portray this certain idea is what makes them so special. In T.S. Elliot's poem, the speaker is an old man, and alas, the same goes for Sherwood Anderson's modern novel. The speaker of Elliot's poem even describes himself as someone "with a bald spot in the middle of [his] hair", similar to Winesburg, Ohio, where the very first line of the novel describes the main character as "an old man, with a white mustache" (Anderson 3). The idea of these old men being the speaker of these works gives the writings a nostalgic feeling; their introductions set the tone for the rest of the novel and make one feel as if everything they’re saying/talking about is meant to be heard as some sort of a reflection about the many years of their existence. The writings also both make allusions to women being some form of beauty that they cannot blame for any of the doings that may have been previously done onto them; Elliot's speaker asks the question "is it perfume from a dress that makes me so digress?" while Anderson's speaker states that "the grotesques were not all horrible. Some were amusing, some almost beautiful, and one, a woman all drawn out of shape, hurt the old man by her grotesqueness" (Anderson 5). The reference to woman within these two writings sheds light on the idea of women being the central root of their internal struggles; the battle to decide whether women are a distraction keeping them from what they hope to accomplish or if they're what may have helped guide them throughout their life time is apparent and makes one question the nature of women. Each piece of writing also gives various descriptions of imagery that help make their reflections clear and analytical. Elliot's speaker begins to turn to the allusions of sirens and "human voices [waking him], and he drowns" making one question whether or not he himself is in nightmare (or maybe even lucid dreaming, there's so many different scenarios that fit....) and the idea of waking up to the less than satisfactory reality he's created for himself makes him fearful. Anderson's old man finds some form of pleasure in looking out the windows of his bedroom, and when his bed breaks, leaving him unable to participate in this activity, he becomes upset; his passion for looking out his window almost relates to him looking out into the life that was in front of him, allowing the imagery and citizens down below to help him feel as if he's regained his youth for that moment so that he can reflect on everything he's accomplished once more.
"The Love Song of J. Alfred Prufrock" and Winesburg, Ohio relate to one another in sense that focus on the idea of internal reflection and internal shifts, whether they be positive or negative. The fear of the reality these old men have come to face makes clear of the idea that sometimes the life we are living is not the one we had always wanted and that eventually it may be easier to live out our deepest desires through dreams or strong moments of lucid reflection. Ya feel me?
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When I was thinking about Prufrock and Winesburg, I didn't think too hard on the central idea of reality. I was mainly thinking isolation and being lonely. But I really like what you've said! I did not even notice the silimarity between then two men, how one is bald, and the other has a mustache. They're both old and facing reality, but in their own ways. Here's a thought: when the old man's bed breaks and he can't see out the window anymore, is he more upset because he's realizing what he wants to see, or because he's understanding that his life is coming to and end and everything in the window has flashed by like when you're driving 80mph on the highway and after you pass it, it's gone? I think it's the speeding down the highway. You don't see the cop, until it's too late. The cop is the mistake. The fee is the price. And the ticket you get in the mail is the reminder to not do it again. You're supposed to learn from that. But how can you if you're going to slow? He's regreting not learning and experiencing. When an old man has a head full of gray hair, I think he's wise. But this man is bald, the hair is on his face. Did he really learn and become wise in his lifetime?? I don't know. That's the thing. What does the mustache mean? Is it a different piece of wisdom? Ya catch my drift??
ReplyDeleteDear Netflixpls,
ReplyDeleteYou phrase fear of reality in such a way that is applicable to most of the human race, but although each individual may acquire this "universal fear" what exactly is it? I agree that both characters, Prufrock and the old writer in Wineberg, Ohio, fear of aging, nonetheless, they fear of their past, but is this universal truth? That everyone has regrets? I viewed this "universal reality" in another way, something to consider, not nessarly true, but most of humanity loves the feelings of youth and innocence, perhaps even non stressful life that childhood provides. It may be that this reality is the belief that not even one can stay young, more so that aging in inevitable. If everyone were to stay young, then this constant introspection, repetition of old memories, nostalgia, would not exist, even deeper, the thoughts of unhappiness would subside. The fact that the old man in both the stories feel this need to become young again, emphasizes that the reality of life begins when unhappiness can be conquered in life through adulthood. It may be sort of like a hero journey, even though that may be very implicit in the story...but look both men are currently in "depression" feeling a sense of solmness and regret, they dream and wish for death as a means to feel youthful again- this itself is an internal adventure and self motivator. It takes alot of a man to realize where he needs to be, therefore his journey resides in introspection. Who would have ever though that introspection could be such a difficult task?...nonetheless, who would have thought that introspection takes many steps: 1. knowing the problem or idenitfying why you are restless with life, figuring out a way to overcome this restlessness, following through, gaining some sort of guidance (in Winesberg, this may be George Willard hearing the stories of the men and learning from them as they give subtle hints of what not to do), and lastly knowing that the solution may be giving up life, or dreaming big. Hence why I think that the universal fear in these characters life is the reality that everyone ages and must deal with the consequences that come with it.
@ribbitribbit I'm glad what I said gave you some new insight! Always tryna spread my words of wisdom around ya feel......but seriously, I appreciate it :) Now reflecting back on what you said about the idea of isolation and being lonely- I totally think that could tie into the whole idea of a universal fear. Both old men are lonely, isolated even, in their current states (one in this form of a dreamland and the other is literally alone in his bedroom), and that brings about the question of what exactly are they isolating themselves from or what has driven them into this state of isolated reflection. In my opinion, the old men are fearing the isolation they will face later on in life; the speaker in Prufrock’s poem appears to be fearing the reality he has brought upon himself, and with the use of this nightmare-esque escape mechanism he is able to come to terms with the fact that his past doings have led to his new reality being something he can’t escape from. Now the speaker in Anderson's novel is reflecting back on his isolated state of reality as well, but in a different sense. The old man appears to be looking out the window because he realizes his life is coming to an end, therefore, he creates images of this life that he wants to see. He wants the youthful joys of his youth to come back into his life which leads to him fearing his reality of being a lonely, near death, weak old man. As for you question in relation to the symbol of the mustaches, I too don’t exactly know what it is they stand for and find your question of whether or not the new location of his white hair represents a new form of wisdom. Maybe, just maybe, the balding of his head and the measly amount of hair being left in the form of a mustache represents the old man’s time coming to an end? Maybe he's not as wise anymore, due to the fact that his head has balded, because all the wisdom he wished to share has been shared? Who knows. t'is a mystery right there....
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